Artist’s Statement

My back­ground is in the Graphic Arts. I’ve stud­ied Adver­tis­ing, blend­ing my voice with those of my cowork­ers, sell­ing peo­ple things they don’t need and sep­a­rat­ing myself from my work.

I seek to com­mu­ni­cate with pic­tures, uni­ver­sally and across cul­tures, using my voice to explore the ele­ments of paint­ing and design shar­ing my vision with my audience.

My work explores the human form, not it’s sur­face beauty but the ambi­gu­ity of emo­tion that lies beneath. The thread that runs between the observer and the observed.

I am fas­ci­nated by the nat­ural world jux­ta­posed to the mech­a­niza­tion of mod­ern tech­nol­ogy. I blend ele­ments of plant repro­duc­tion and right angles into my work, the warm, expand­ing col­ors of the nat­ural world con­tained by or engulf­ing the cold, cal­cu­lat­ing grid of the mind. Order strug­gling with chaos, explor­ing the lim­its of the psy­cho­log­i­cal box and break­ing out of those restraints. 

About

Daniel Liam GillDaniel Liam Gill is a painter who lives in Port­land, Ore­gon.
He is cur­rently work­ing on the series’ Objec­tify and Seeds.

Daniel was born in Amer­i­can Falls, Idaho in the fall of 1961. He spent his for­ma­tive years in the Amer­i­can South work­ing as an illus­tra­tor, graphic designer and art direc­tor. Daniel taught illus­tra­tion design at Port­fo­lio Cen­ter in Atlanta, Geor­gia and illus­tra­tion at the Pacific North­west Col­lege of Art in Port­land, Ore­gon. He co-​founded The Illus­tra­tors’ Jam with PNCA and Raw Vis­cer­alia, an art experience.

Daniel stud­ied pas­tels with Lee Bomhoff , an Atlanta artist.
He honed his fig­ure draw­ing skills in Port­land, Ore­gon, cre­at­ing hun­dreds of pas­tel draw­ings over sev­eral years. Daniel grad­u­ated to oils in 2006 and started the series, Con­nec­tive Tis­sue in 2007.

Photo by Zack Czengöldi