Figurative

Sketches of Angela

Angela, Ink on Paper, by Daniel Liam Gill

Ink on Paper These are from my sketch­book, made last evening at PNCA. Angela is a won­der­ful model, check out her Tum­blr. Click on the thumb­nail to view the larger image.

From My Sketchbook

Sketch of Karen, Ink on Paper by Daniel Liam Gill

Ink on Paper I keep a sketch­book and a hand­ful of Micron pens with me. I draw at a few places in Port­land on a semi reg­u­lar basis. These are from March and April and include a cou­ple from my buddy Stan Townsend’s place in Chat­tanooga, TN. Click on the thumb­nail to view the larger image.

From My Sketchbook

Krissy, Ink on Paper, by Daniel Liam Gill

Ink on Paper I took a long hia­tus from draw­ing, I’d got­ten burned out on the fig­ure and the stu­dio scene. It can get mind numb­ing if I don’t take a break. I’ve been teach­ing fig­ure draw­ing at the Brush and Palette once a week which let’s me talk about draw­ing and paint­ing for three hours. It’s a won­der­ful ses­sion with…

I am Fierce

I am Fierce [Third Stage]

(Third Stage) I spent a lot of time look­ing at this paint­ing in it’s pre­vi­ous stage and decided it needed to be dark to bal­ance the top third and the red line across the top of Amanda’s head. I also did some scratch­ing on the piece with a knife and some steel wool, mostly on the tat­too. I’d…

I am Fierce

I am Fierce, Oil and Acrylic on Wood, 24" x 48"

[Sec­ond Stage] The sec­ond stage of the paint­ing with a cou­ple of obvi­ous changes. The addi­tion of the red line sep­a­rat­ing the glob­ules from the fig­ure and the dele­tion of the thumb from the angled hand. I’ve also warmed the flesh over­all and tight­ened the face. The left eye­brow is giv­ing me some cause for con­cern but…

I am Fierce

I am Fierce, Oil and Acrylic on Wood, 24" x 48"

[in progress] Art.a.ma.jig is an event hosted by Tan­ner Hill Gallery for the Arts & Edu­ca­tion Coun­cil here in Chat­tanooga. Artists are asked to donate a piece of work with a com­mon theme. This years is “I Am Fierce”. I played with this con­cept in my head, rolled it out to paper and asked my friend Amanda to pose…

Thread

Thread, Oil on Wood 26.5”x 48”

Fourth Ses­sion Layer four of Thread was added this past Tues­day in a very ener­getic frenzy, My model was in top form, the energy run­ning from her to me and into the paint­ing was unprece­dented in our col­lab­o­ra­tion, it lit­er­ally painted itself. The more lay­ers I add to this piece, the more I learn.

Thread

Thread, Oil on Wood, 26.5" x 48" by Daniel Liam Gill

Third Ses­sion The third ses­sion of Thread started slowly but caught fire after after the first break. I find it hard for the model to be as much in the process as they could be if they can’t see the paint­ing in progress. I have this pic­ture nailed to the wall at an angle that can be…

Thread

Thread, Oil on Wood, 26.5" x 48"

Sec­ond Ses­sion The sec­ond week of Thread, in progress, explor­ing the work and my inter­ac­tion with my model. This ses­sion was more relaxed and easy, allow­ing me to delve into the paint­ing, dis­cov­er­ing col­ors, edges and sur­faces. I use a very lim­ited palette when I am paint­ing fig­ures. I use pri­maries and neu­trals that don’t dis­tract me from the…

Thread

Thread, Oil on Wood, 26.5" x 48"

First Ses­sion This idea came to me (as many ideas do) in a dream. I’ve been work­ing with a woman named April since the first of the year, She’d never mod­eled before she sat for the open ses­sion that I started here at the Riv­oli Mill. She’s a quick study and has taken to mod­el­ing quite nat­u­rally but I’ve…