Connective Tissue

I am Fierce

I am Fierce [Third Stage]

(Third Stage) I spent a lot of time look­ing at this paint­ing in it’s pre­vi­ous stage and decided it needed to be dark to bal­ance the top third and the red line across the top of Amanda’s head. I also did some scratch­ing on the piece with a knife and some steel wool, mostly on the tat­too. I’d…

I am Fierce

I am Fierce, Oil and Acrylic on Wood, 24" x 48"

[Sec­ond Stage] The sec­ond stage of the paint­ing with a cou­ple of obvi­ous changes. The addi­tion of the red line sep­a­rat­ing the glob­ules from the fig­ure and the dele­tion of the thumb from the angled hand. I’ve also warmed the flesh over­all and tight­ened the face. The left eye­brow is giv­ing me some cause for con­cern but…

I am Fierce

I am Fierce, Oil and Acrylic on Wood, 24" x 48"

[in progress] Art.a.ma.jig is an event hosted by Tan­ner Hill Gallery for the Arts & Edu­ca­tion Coun­cil here in Chat­tanooga. Artists are asked to donate a piece of work with a com­mon theme. This years is “I Am Fierce”. I played with this con­cept in my head, rolled it out to paper and asked my friend Amanda to pose…

Thread

Thread, Oil on Wood 26.5”x 48”

Fourth Ses­sion Layer four of Thread was added this past Tues­day in a very ener­getic frenzy, My model was in top form, the energy run­ning from her to me and into the paint­ing was unprece­dented in our col­lab­o­ra­tion, it lit­er­ally painted itself. The more lay­ers I add to this piece, the more I learn.

Thread

Thread, Oil on Wood, 26.5" x 48" by Daniel Liam Gill

Third Ses­sion The third ses­sion of Thread started slowly but caught fire after after the first break. I find it hard for the model to be as much in the process as they could be if they can’t see the paint­ing in progress. I have this pic­ture nailed to the wall at an angle that can be…

Thread

Thread, Oil on Wood, 26.5" x 48"

Sec­ond Ses­sion The sec­ond week of Thread, in progress, explor­ing the work and my inter­ac­tion with my model. This ses­sion was more relaxed and easy, allow­ing me to delve into the paint­ing, dis­cov­er­ing col­ors, edges and sur­faces. I use a very lim­ited palette when I am paint­ing fig­ures. I use pri­maries and neu­trals that don’t dis­tract me from the…

Thread

Thread, Oil on Wood, 26.5" x 48"

First Ses­sion This idea came to me (as many ideas do) in a dream. I’ve been work­ing with a woman named April since the first of the year, She’d never mod­eled before she sat for the open ses­sion that I started here at the Riv­oli Mill. She’s a quick study and has taken to mod­el­ing quite nat­u­rally but I’ve…

Mannaz

Mannaz, painted oil tape on masonite, 16" x 24" by Daniel Liam Gill

Man­naz, painted oil tape on masonite, 16″ x 24″ by Daniel Liam Gill. Another in the rune series of painted tapes on ges­soed masonite, Man­naz fea­tures two por­traits of Julie, one of Quin, and parts of other models.

Uraz

Uraz, 12" x 24", Painted tape on gessoed masonite.

Uraz, 12″ x 24″, Painted tape on ges­soed masonite.This is a smaller tape assem­blage made from por­traits of Mila, Samara and oil sketches from Hip­bone Studio.

Dagaz

Dagaz, Painted Tape on Wood, 24" x 48" by Daniel Liam Gill

Dagaz, Painted Tape on Wood, 24″ x 48″ by Daniel Liam Gill. Like Raido before it this mixed media assem­blage takes it’s name from a rune, Dagaz, mean­ing day.