Lilith Marie’s Mandala

Acrylic, Oil and Colored Pencil on Hardboard
The final painting of Lilith Marie’s Mandala. A breakthrough piece for me, it’s my first finished painting after a long hiatus and losing my muse. It’s been very cathartic for me, not only for healing my heart but for solidifying my ideas about the Objectify series.
I had someone ask me why I call it Objectify and I wasn’t able to put it into words. Looking at someone and painting them, for me, takes an ability to dehumanize them, to turn them into pure form and run that through the filter of my eyes, my brain, turning them into an object, the same as a chair or a vase.
There’s also a history of painting the female nude as an object or piece of property, see the documentary Ways of Seeing from the BBC for a better explanation than I can give you here.
Making these monoprints is just the opposite for me. I’m not interpreting my model, they actually make the mark and I interpret those marks. It’s more direct and a true collaboration.
Thank you, Lilith Marie.
Click on the thumbnail for a larger image.
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Written by Daniel Liam Gill
Daniel Liam Gill is a painter who lives in Portland, Oregon.
He is currently working on the series' Objectify and Seeds.
Daniel was born in American Falls, Idaho in the fall of 1961. He spent his formative years in the American South working as an illustrator, graphic designer and art director. Daniel taught illustration design at Portfolio Center in Atlanta, Georgia and illustration at the Pacific Northwest College of Art in Portland, Oregon. He co-founded The Illustrators’ Jam with PNCA and Raw Visceralia, an art experience.
Daniel studied pastels with Lee Bomhoff , an Atlanta artist.
He honed his figure drawing skills in Portland, Oregon, creating hundreds pastel drawings over several years. Daniel graduated to oils in 2006 and started the series, Connective Tissue in 2007.
Amazing and beautiful!
Thank you Jennifer.