Objectify

Studies of Human Form
Using the model’s physical body as the method of applying paint to the surface. Her energy and her real, tangible form are embedded into the painting.
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Acrylic and Oil on Hardboard I met a young lady who called herself Delirium after the character from Neil Gaiman’s The Endless. We created a few impressions, of which this is the third. It’s named for the Greek interpretation of the Fates, part of which is paraphrased here: The Moirae were supposed …
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Acrylic, Oil and Colored Pencil on Hardboard My second painting with Delirium, named for the DT’s. The figure at the top of the composition shakes like a doll on a spring while the shape at the bottom closes on it like some strange ant climbing a hill. It’s an odd sort of dance.
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Acrylic, Oil and Colored Pencil on Hardboard A few weeks ago I had the pleasure of working with a young lady who calls herself Delirium, after one of The Endless by Neil Gaiman. This painting is the darkest and one of the most brooding paintings I’ve ever made, but it has …
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Acrylic, Oil and Colored Pencil on Wood I stared at this piece nailed to the wall for a few days, added colors, removed colors and had elaria lend me her presence and energy to blend into the shapes. The insides where coming together but I disliked the background, it wasn’t working for …
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Acrylic, Oil and Colored Pencil on Hardboard The second layer of elaria’s mandala. I’m blocking in color and trying different combos. If you look closely you can see where I’ve done some scraping to remove a layer of yellow ocre. I hung this piece on the wall as a diamond originally but the …
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Acrylic, Oil and Colored Pencil on Hardboard The final painting of Lilith Marie’s Mandala. A breakthrough piece for me, it’s my first finished painting after a long hiatus and losing my muse. It’s been very cathartic for me, not only for healing my heart but for solidifying my ideas about the Objectify series. I …
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Acrylic, Oil and Colored Pencil on Hardboard The final painting of “a walk with elaria” with the tape removed. The image has a wonderful rhythm and a sense of fun that I like. A man from my building stopped me in the hall the other day. “Your paintings are so vibrant …
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Acrylic, Oil and Colored Pencil on Wood A friend of mine, Alan M. Clark, shared a story with me about Japanese scrolls. He said that a painter would render a forest path on on paper and roll it up. If you were stuck at your desk, you could unroll the scroll …
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Acrylic on Wood I started a mandala series last week with Lilith Marie’s and continue this week with the ballet dancer, elaria. I very much enjoyed collaborating with her on this series of prints. This is elaria’s mandala in it’s straight monoprint stage. There’s no emblishment here save for her impression …
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Acrylic, Oil and Colored Pencil on Hardboard I had a breakthrough on this session, I kept staring at the vertical and horizontal shapes nade by Lilith Marie’s wonderful back. I had no idea how to tie them all together and get them to relate. Then I remembered that Lilith likes cephalopods. …
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elaria’s mandala — 3rd session
elaria’s mandala — process
Written by Daniel Liam Gill
Daniel Liam Gill is a painter who lives in Portland, Oregon.
He is currently working on the series' Objectify and Seeds.
Daniel was born in American Falls, Idaho in the fall of 1961. He spent his formative years in the American South working as an illustrator, graphic designer and art director. Daniel taught illustration design at Portfolio Center in Atlanta, Georgia and illustration at the Pacific Northwest College of Art in Portland, Oregon. He co-founded The Illustrators’ Jam with PNCA and Raw Visceralia, an art experience.
Daniel studied pastels with Lee Bomhoff , an Atlanta artist.
He honed his figure drawing skills in Portland, Oregon, creating hundreds pastel drawings over several years. Daniel graduated to oils in 2006 and started the series, Connective Tissue in 2007.