Sister Thyme

Acrylic, Oil and
Colored Pencil on Masonite, 24”x 25”
Collection of Sister Thyme
Click to enlarge.
I have had the pleasure of working with a model/writer/photographer/artist here in Portland. Her name is Sister Thyme. One look at her face and I could tell she had an old soul. This is the first painting in the series and the most dynamic. The cacti are from my memories of New Mexico, where Sister Thyme fell under it’s spell as well.
View Sister Thyme’s portfolio.
RELATED POSTS
Acrylic, Oil and Colored Pencil on Hardboard The third in the Sister Thyme Series. It has a distinctly vegetable feel to the composition, leaves that could be wings and the ever present fish at the bottom of the painting. Samantha says the background looks like northern lights. This one is her favorite and mine as …
CONTINUE READING
Acrylic, Oil and Colored Pencil on Hardboard It’s my curse, as an observer, to take things apart and see how they work. This is a monoprint of my former lover, Samantha, a woman I will never forget. She and I were lucky enough to walk a path together. After our relationshop’s …
CONTINUE READING
Acrylic, Oil and Colored Pencil on Hardboard I’ve been listening to “A New Earth” by Eckhart Tolle while I paint. In one passage, he uses the term Satori, a Japanese Buddhist term for enlightenment, meaning “understanding”. I thought it the perfect title for the painting. In researching the meaning, I came …
CONTINUE READING
Acrylic, Oil and Colored Pencil on Hardboard Glass Olive was the ink and the inspiration for this painting of Choronzon, the Thelemic demon. Working with Olive is such a contrast from seeing photograph of her and her illustrations. She carries herself with the fragile stature and grace of s a silent film star …
CONTINUE READING
Acrylic, Oil and Colored Pencil on Hardboard Staring at this, I’m remind of T.S. Eliots The Waste Land– “APRIL is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers.” It’s full of …
CONTINUE READING
Acrylic, Oil and Colored Pencil on Hardboard My second painting with Delirium, named for the DT’s. The figure at the top of the composition shakes like a doll on a spring while the shape at the bottom closes on it like some strange ant climbing a hill. It’s an odd sort of dance.
CONTINUE READING
Acrylic, Oil and Colored Pencil on Hardboard A few weeks ago I had the pleasure of working with a young lady who calls herself Delirium, after one of The Endless by Neil Gaiman. This painting is the darkest and one of the most brooding paintings I’ve ever made, but it has …
CONTINUE READING
Acrylic, Oil and Colored Pencil on Hardboard The second finished painting in collaboration with Floofie. Staring in clouds and finding faces is something that takes me back to reading Peanuts as a kids. They had the books in my school library, the doubles that are two books in one and flip …
CONTINUE READING
Acrylic, Oil and Colored Pencil on Hardboard I have three paintings in progress nailed to the wall of my studio. These are from my session with Floofie, a very positively charged persona here in Portland, Oregon. I kept my palette very clean to match Floofie’s energy, rolling and flipping her on the surfaces …
CONTINUE READING
Acrylic on Hardboard, 24″ x 24″ I studied ad design in college, it was my first introduction to the grid. My inspiration for the Dysphagia Series was a dream. I was playing a game of chess with an unknown opponent. The next day I taped of an old painting and did …
CONTINUE READING
Written by Daniel Liam Gill
Daniel Liam Gill is a painter who lives in Portland, Oregon.
He is currently working on the series' Objectify and Seeds.
Daniel was born in American Falls, Idaho in the fall of 1961. He spent his formative years in the American South working as an illustrator, graphic designer and art director. Daniel taught illustration design at Portfolio Center in Atlanta, Georgia and illustration at the Pacific Northwest College of Art in Portland, Oregon. He co-founded The Illustrators’ Jam with PNCA and Raw Visceralia, an art experience.
Daniel studied pastels with Lee Bomhoff , an Atlanta artist.
He honed his figure drawing skills in Portland, Oregon, creating hundreds pastel drawings over several years. Daniel graduated to oils in 2006 and started the series, Connective Tissue in 2007.