Sister Thyme No.3

Acrylic, Oil and Colored Pencil on Hardboard
The third in the Sister Thyme Series. It has a distinctly vegetable feel to the composition, leaves that could be wings and the ever present fish at the bottom of the painting. Samantha says the background looks like northern lights. This one is her favorite and mine as well.
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Acrylic, Oil and Colored Pencil on Hardboard The fourth painting from my work with Sister Thyme (Samantha Beasley). There’s so much fire in this one, from her ribs to the odd boiling shapes that resemble faces crying out in the head of a burning match. This is my favorite from the series …
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Colored Pencil on Masonite, 24”x 25” Collection of Sister Thyme Click to enlarge. I have had the pleasure of working with a model/writer/photographer/artist here in Portland. Her name is Sister Thyme. One look at her face and I could tell she had an old soul. This is the first painting in …
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Acrylic on Hardboard, 24″ x 24″ I studied ad design in college, it was my first introduction to the grid. My inspiration for the Dysphagia Series was a dream. I was playing a game of chess with an unknown opponent. The next day I taped of an old painting and did …
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Acrylic, Oil and Colored Pencil on Hardboard Created from a session with Adora Belle, the smallest and funniest model I’ve worked with to date, she’s a delight. It’s a mixture of Adora’s flesh and my paint. The most representative work in the series so far it’s inspired me to do more dresses. Click on …
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Acrylic, Oil and Colored Pencil on Hardboard The second in the Sister Thyme Series, created with Samantha. I started blocking out shapes on this piece and a wolf’s head emerged. The model mentioned that her middle names was Ylva, meaning she-wolf in Norse. The name stuck and the piece is officially called Ylva.
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Acrylic, Oil and Colored Pencil on Hardboard The second in a series working in collaboration with Aspen. These are detail shots of the 24″ x 48″ painting as well as the finished painting. I used colored pencil here to sharpen details and isolate areas of the painting. It’s got a good animal/vegetable …
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Acrylic, Oil and Colored Pencil on Hardboard It’s my curse, as an observer, to take things apart and see how they work. This is a monoprint of my former lover, Samantha, a woman I will never forget. She and I were lucky enough to walk a path together. After our relationshop’s …
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Acrylic, Oil and Colored Pencil on Hardboard I’ve been listening to “A New Earth” by Eckhart Tolle while I paint. In one passage, he uses the term Satori, a Japanese Buddhist term for enlightenment, meaning “understanding”. I thought it the perfect title for the painting. In researching the meaning, I came …
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New Beginnings The Seeds are a metaphor for my journey from designer and illustrator to painter, the germination of a new beginning.
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Sister Thyme No.4 (Conflagration)
Sister Thyme No.2 (Ylva)
Written by Daniel Liam Gill
Daniel Liam Gill is a painter who lives in Portland, Oregon.
He is currently working on the series' Objectify and Seeds.
Daniel was born in American Falls, Idaho in the fall of 1961. He spent his formative years in the American South working as an illustrator, graphic designer and art director. Daniel taught illustration design at Portfolio Center in Atlanta, Georgia and illustration at the Pacific Northwest College of Art in Portland, Oregon. He co-founded The Illustrators’ Jam with PNCA and Raw Visceralia, an art experience.
Daniel studied pastels with Lee Bomhoff , an Atlanta artist.
He honed his figure drawing skills in Portland, Oregon, creating hundreds pastel drawings over several years. Daniel graduated to oils in 2006 and started the series, Connective Tissue in 2007.