Undines

Acrylic, Oil and Colored Pencil on Hardboard
My first work with Lluna, my tallest collaborator to date. This is the most unusual oiece in the series so far, there’s so much in it. I had contemplated calling it “Salmon, Apple, Moon” until my friend Shannon suggested Undine- According to a theory advanced by Paracelsus, an Undine is a water nymph or water spirit, the elemental of water. They are usually found in forest pools and waterfalls. They have beautiful voices, which are sometimes heard over the sound of water. According to some legends, undines cannot get a soul unless they marry a man and bear him a child. This aspect has led them to be a popular motif in romantic and tragic literature.
In 18th century Scotland, ondines were also referred to as the wraiths of water. Even then, they were not feared as other wraiths such as the kelpie.
It’s a perfect fit.
RELATED POSTS
Acrylic, Oil and Colored Pencil on Hardboard The third in a series with Lluna, the inspiration for water nymphs.I’d been working on this composition with no clear idea of direction, painting a shell shape into the middle and pulling out wings on the sides. Lluna had dropped by the studio to see the …
CONTINUE READING
Acrylic, Oil and Colored Pencil on Hardboard Created from a session with Adora Belle, the smallest and funniest model I’ve worked with to date, she’s a delight. It’s a mixture of Adora’s flesh and my paint. The most representative work in the series so far it’s inspired me to do more dresses. Click on …
CONTINUE READING
Acrylic, Oil and Colored Pencil on Hardboard The third in the Sister Thyme Series. It has a distinctly vegetable feel to the composition, leaves that could be wings and the ever present fish at the bottom of the painting. Samantha says the background looks like northern lights. This one is her favorite and mine as …
CONTINUE READING
Acrylic, Oil and
Colored Pencil on Masonite, 24”x 25” Collection of Sister Thyme Click to enlarge. I have had the pleasure of working with a model/writer/photographer/artist here in Portland. Her name is Sister Thyme. One look at her face and I could tell she had an old soul. This is the first painting in …
CONTINUE READING
Acrylic, Oil and Colored Pencil on Hardboard The second in a series working in collaboration with Aspen. These are detail shots of the 24″ x 48″ painting as well as the finished painting. I used colored pencil here to sharpen details and isolate areas of the painting. It’s got a good animal/vegetable …
CONTINUE READING
New Beginnings The Seeds are a metaphor for my journey from designer and illustrator to painter, the germination of a new beginning.
CONTINUE READING
Seeds and Sketches Added I’ve been added to the John Richard Collection of Fine Art Prints. Several pieces of art from Seeds and a few sketches are featured in the following photos. It’s a wonderful opportunity and I’d like to thank Ann Stokes and Jeff Rosenburg.
CONTINUE READING
Refraction, Acrylic on Hardboard, 24″ x 24″ Breaching the plane and expanding on the grid, I stacked Floofie, Delirium and Glass Olive into this composition, overlapping one on top of the other.
CONTINUE READING
Acrylic, Oil and Colored Pencil on Hardboard Glass Olive was the ink and the inspiration for this painting of Choronzon, the Thelemic demon. Working with Olive is such a contrast from seeing photograph of her and her illustrations. She carries herself with the fragile stature and grace of s a silent film star …
CONTINUE READING
Acrylic, Oil and Colored Pencil on Hardboard Staring at this, I’m remind of T.S. Eliots The Waste Land– “APRIL is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers.” It’s full of …
CONTINUE READING
The John Richard Collection
Written by Daniel Liam Gill
Daniel Liam Gill is a painter who lives in Portland, Oregon.
He is currently working on the series' Objectify and Seeds.
Daniel was born in American Falls, Idaho in the fall of 1961. He spent his formative years in the American South working as an illustrator, graphic designer and art director. Daniel taught illustration design at Portfolio Center in Atlanta, Georgia and illustration at the Pacific Northwest College of Art in Portland, Oregon. He co-founded The Illustrators’ Jam with PNCA and Raw Visceralia, an art experience.
Daniel studied pastels with Lee Bomhoff , an Atlanta artist.
He honed his figure drawing skills in Portland, Oregon, creating hundreds pastel drawings over several years. Daniel graduated to oils in 2006 and started the series, Connective Tissue in 2007.